TANK MAGAZINE | Issue 107 | BUY THIS ISSUE |
- Things These are a few of our favourite things,
- Huawei Photography by Alex Bibby,
- Light Touch Photography by Oda Eide, make-up by Adele Sanderson using Gucci Beauty,
- No business like Scholl business Photography by Thea Caroline Sneve Løvstad,
- Grab and go Photography by Ramona Deckers, styling by Sophie Ozra Cloarec.
- What’s the sexiest thing you have ever read? artists, writers and intimacy coordinators respond,
- Attention seeking behaviour an extract from the book by Aea Varfis-van Warmelo,
- Barbara's Best Books New Directions director Barbara Epler's freshest fiction,
- Roddy Doyle Ireland’s greatest novelist on the pram in the hall. Interview by Nell Whittaker,
- Disco inferno an unearthed manuscript and a big night out,
- A sneaking guilty hankering Text by Amelia McGarvey, photography by Ryan Simo, styling by Maria Teresa Strippoli,
- Mr pen tells all Photography by Josh David Payne, set design by Megan Mandeville,
- Making an entrance Jack Parlett’s flamboyant foray,
- Divine intervention Talmudic erotica with Wayne Koestenbaum and Nate Lippens,
- Middle men Text by Amelia McGarvey,
- Yoko Tawada On fascist symbolism. Interview by Claudia Steinberg, photography by Nina Subin,
- dearly Loved friends Sheyla Baykal’s legacy of community. Text by Berk Korkmaz,
- Mother tongue Translator and editor Michelle Min-chia Wu shares her favourite reads,
- A soup made from young jute leaves An extract from Yang Shuang-zi’s Booker Prize-winning Taiwan Travelogue,
- As nature intended Snails, newts and marmots,
- The wound between us On Hélène Cixous’s Angst,
- Future facing Curator Salma Tuqan’s institutional critique,
- A closer look Visiting the V&A East Storehouse with AKONI,
- Against the grain Marisol’s totemic sculptures,
- Deep States Subliminal Jihad's strangeness and fiction,
- Naked as the day you were born Overturning a false terrorism conviction,
- Art of noise Daniel Blumberg on improvisation and Tottenham Hotspur F.C. Interview by Matteo Pini, photography by Luca Strano,
- River eternal Caroline Issa considers final journeys,
- Neon pagodas A series of works from Martin Wong's Chinatown USA,
- Sign posting Pilgrimage and poetic landscapes in Japan's Kii Peninsula. Text and photography by Kinza Shenn,
- Words of wisdom Reporting from Bvlgari’s Venice Pavilion,
- No objection to glamour Miranda Vane talks to Rose Wylie about wild roses,
- Mirror mirror Kosmas Pavlidis’s monograph Sunny Days / A True Story.
- Theatre of Dreams Photography by Sara Zanoni, set design by Chiara Arsini ,
- Crowd of One Photography by Otto Masters, styling by Eve Bailey,
- And what was the world? Photography by Aitor Laspiur, styling by Martxel Montero,
- Between traditions Photography by Florent Vindimian, styling by Nikhil Mansata,
- Thread lightly… On the animal instincts of Chanel Métiers d’art. Photography by Lina Zangers, text by Caroline Issa,
- Color me bold Photography by Brennan Bucannan, styling by Francesca Russo, set design by Darcy Norgan.
- Anton Jäger “You can’t exclude performance from the repertoire of political action”,
- Dozie Kanu “When you don’t know that much about art yet, you’re forced to ask yourself: why does this have a platform?”,
- SMUT Press “That line between the sexualised and the pornographic is something we test in the work”,
- Daria Challah “The energy I had associated with classical music was so dislocated from my emotional experience with opera”,
- Elke Schwarz “The focus on ‘lethality’ that has dominated military doctrine in recent years is not accidental”,
- M.I.C “I do have a bit of a fixation with the end of the world”,
- Cristine Brache “The bunny suit appears dated and foreign, but also iconic, like Mickey Mouse”,
- James K “I relate the building of sonic frequencies to the process of constructing perfume”,
- Simon Fujiwara “If you can feel unreal about a disease like syphilis, what else do we feel is unreal?”,
- Lutz Dammbeck “The autonomy of the internet is passé, and many people know that”,
- Adelene Koh “You can’t just walk into a library and ask, ‘Show me your thousand-year-old books’”,
- Kaya M “Shazam is like the NHS to me”,
- Missouri Williams “The university is a powerful symbol for many people – either of the ascendancy of our times or their decline”,
- Eric Treuille “A roast chicken is a roast chicken. And there are so many roast chickens”,
- Fcukers “It was a very fun two-hour window and then a very painful evening in a hotel room”.