TANK MAGAZINE | Issue 106 | BUY THIS ISSUE |
- Things The season's best fashion, design, and other delicious things ,
- Funhouse fashion Photography by Oda Eide, styling by Eve Bailey,
- Ultra paste if Enrico David’s walls could talk. Text by Christabel Stewart,
- Feeling cheeky Photography by Oda Eide, styling by Eve Bailey,
- Schiaperalli's visions Sonnet Stanfill takes us behind the scenes at the V&A,
- Do you have the minerals? Cave exploring with the season’s best beauty,
- The Great Camouflage revolutionary afterlives in Shanghai. Text by Tom Roueché,
- Immaculate collections Styling by Simone Konu-Rae.
- What's the riskiest thing you've ever done? Writers, artists, creatives and children respond,
- Elon Musk and the end of the future Quinn Slobodian, Ben Tarnoff and Bahar Noorizadeh in conversation,
- Expected outcomes Text by Ayesha A. Siddiqi,
- They live Text by Christabel Stewart,
- The sense of an ending Thomas Moynihan and Peter Wolfendale in conversation,
- Ten ways the economy is a casino economist Ann Pettifor on why the house always wins,
- Playing to win Text by Nell Whittaker, Stills by Giulio Bertelli,
- Invisible architecture Text by Billie Muraben,
- Hedging our bets Johanna Gautier-Morin and Cecilia Rikap in conversation,
- Reality Bites On post-truth realism at Tokyo Art Week. Text by Thomas Roueché,
- What’s the risk? Tai Shani and Sophia Al-Maria in conversation,
- High in the cloud Text by Matteo Pini,
- A flagging nation Text by Emily Steer,
- Smoke gets in your eyes Photography by Kris Lüdi, text by Nell Whittaker,
- Mongolian winter Text by Jacob Dreyer, photography by Tom Simpson,
- Court and the closet Elizabeth Lovatt and Izabella Scott in conversation,
- The Walden Dead Text by Will Wiles,
- Flash Fiction Lynne Tillman: a woman, a cop, a diner..
- Age of Armani Text by Caroline Issa, photography by Alessandro Oliva, styling by Alessandra Facchinetti,
- Be our guest Motohiko Hasui and Moka Asada go to the hostess bar ,
- En Famille Photography by Guy Bolongaro, styling by Noemie Schelbert,
- Yes or No? Photography by Orien Cleis, styling by Eve Bailey,
- Double take Photography by Anna Cuesta Brooke-Turner, styling by Aldana and Antonella Simes,
- Helping hands Photography by Jonathan LLense, styling by Marie Gibert,
- High wire Photography by Matei Octav, styling by Alessandro Travaini,
- In Play Photography by Zacharie Lewertoff, styling by Diana Sträng,
- Phantom threads Text by Rosalind Jana, photography by Sohrab Golsorkhi-Ainslie, styling and collages by Kieran Kilgallon.
- George Saunders “Death is a mental phenomenon, but so is everything”,
- Claire Fontaine “When freedom of expression is neither exercised nor challenged, it fades away”,
- Minh Nguyen “Optimism is erotic”,
- Alicja Kwade “We emphasise similarity far too little in the constant search for individuality”,
- Gabriel Novis “I was anxious to see how a particularly surf-oriented audience would react – and we ended up winning”,
- Shohei Shigematsu “The public are more imaginative than architects”,
- Francesca Laura Cavallo “How we construct methods for controlling or preparing for an unknown future is always some form of rehearsal”,
- Andrew Durbin ““I was very annoyed with Susan Sontag when I was writing this book””,
- Matt Houlbrook “Hedonism is built on expropriation and exploitation”,
- Amir Azizi "Tehran is one of the main characters in the film, in all its peculiarities”,
- Janice Wang “The most radical idea is actually very simple”,
- Ben Mora “The fridge is just as intimate as the bedroom, if not more”,
- Nikita Kaur Simpson “Oppression doesn’t only work in one register”,
- Zaskia Sewell “Albion is a primordial giant who represents the potential and fate of Britain”,
- Kleber Mendonça Filho “Films often avoid the logic of life”,
- Mirror Mirror illustrator Chris Haughton in court for Palestine Action.